Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

Tonight’s featured guest Miguel A. García (also known as XEDH) w/ David Kirby

———-
Miguel A. Garía (also known as XEDH)

Basque artist Miguel A. García (also known as XEDH ) focuses on sound and its formal organisation, just between improvisation and electro-acoustic composition. His concerts put on show a combination of electronic sounds, field recordings and “real” instruments, aiming to get an intimate, immersive and intense experience, that is always considerate with the audience.
Miguel A. García studied Fine Arts and Audiovisual Technology. He is also involved in projects like Mubles, Baba Llaga or Válvula Antirretorno. Besides his considerable production of CDs (in labels like Zeromoon, Homophoni or White Line) and numerous live performances in Spain (Museo Vostell, Arteleku, MACUF, Museum Chillida-Leku, Guggenheim Bilbao, Tabacalera, etc.) he has performed in the United States, Norway, Poland, Portugal and France. Since 2006 he has managed and directed the Zarata-Fest Festival in Bilbao, and owns two netlabels (Larraskito and Doministiku).

discography (selected):
[2011] Miguel A. García “Lamb” (Occasion, Russia, online) ; Coeval / Miguel A. García / Miguel Prado “Tirasse” (Ephre Imprint, UK, CDr) ; [2010] Carlos Villena / Miguel A. García & Hector Rey “Split” (Mantricum, Barcelona, CDr) ; Xedh&Berio “Feeixa” (Alg-a, Vigo, online) [2009] VVAA “Variations in white vol. 1″ (White Line, UK, CD) ; Miguel A. García “Live at El Tanque” (RONF, Canary Islands, CDr) ; Xedh “Vinduskarm” (Triple Bath, Greece, CDr) ; [2008] Miguel A. García “Armiarmak” (RMO, Biscay-Basque Country, CD) ; Miguel A. García “Subsuelos“ (Trans>parent radiation, USA, online) ; Xedh “Exadh” (Zeromoon, USA, online) ; [2007] Xedh “Armiarma” (Homophoni, USA, online)

live acts (selected):
[2011] Espacio Gato Vadio. w/ Alexander Bruck & Artur Vidal (Porto, Portugal) ; Ciclo SON, Auditorio nacional de música (Madrid, Spain) ; Centro de Cultura Contemporanea l’Octubre (Valencia, Spain) ; Centro de Cultura Antiguo Instituto de Gijón (Gijón, Spain) ; [2010] Archivo del Territorio Histórico de Álava (Vitoria, Basque Country) ; Museo Vostell Malpartida (Caceres, Spain) ; Galeria Ler Devagar (Lisboa, Portugal) ; Cavalo Branco Studio (Porto, Portugal) ; Espazo Baleiro (Santiago de Compostela, Spain) ; Lieu Commun w/Loty Negarti (Toulouse, France) ; Sala Jimmy Jazz w/Shinichi Isohata & Michel Henritzi (Gasteiz, Basque Country) ; Sala Amarica w/ Roberto Mallo & Mikel Etxegarai (Gasteiz, Basque Country) ; [2009] Forbitten Tronics Day (Madrid, Spain ) ; Experimentaclub (Madrid, Spain) ; Museum Artium (Gasteiz, Basque Country) ; Tou Scene art center (Stavanger, Norway) ; Stoy Pa Landet festival (Selbu, Norway) ; [2008] Ertz Festival (Bera de Bidasoa, Basque Country) ; Museum MACUF (A Coruña, Spain) ; Galería DF (Santiago de Compostela, Spain) ; Museum Chillida-Leku with Tüsüri (Hernani, Basque Country) ; Sztuki Wspólczesnej Laznia cultural center (Gdansk, Poland); [2007] Guggenheim Museum Auditorium (Bilbao, Basque Country); Sonic Circuits Festival (Washington DC, USA); 4 exhibitions in “El Tanque” gallery (Tenerife, Canary Islands); [2006] MEM Festival 2006 (Bilbao, Basque Country) ; Gallery EART,LEM Festival (Barcelona, Spain); Arteleku art center (Donostia, Basque Country); [2005] Montehermoso art center w/ Válvula Antirretorno (Gasteiz, Basque Country)

other works :
[Since 2008] co-direction of the sound art and experimental music diffusion platform “Larraskito”, including a net-label and a club with the same name ; [since 2006] managerment and direction of “Zarata Fest” festival, located in L´mono (Bilbao, Basque Country) ; [2008] Soundtrack for the film “Time & Fear” directed by Charo Garaigorta; [2007] Sound installation for collective exibition “XX exposición de audiovisuales” in BBK Gallery (Bilbao, Basque Country); Soundtrack for the film “Closing Time” directed by Iñigo Cabo and Robert Todd; [2006] Sound installation for collective exibition “Somos buena gente” in Langreo (Asturias, Spain) ; Soundtrack for contemporary dance piece “Paralelo 9r” [2005] direction of the videoart exhibitions “Colectivo Pop” given at the UPV institute (Leioa, Basque Country)

among many others, some artists i have worked with: Antez, Asier Abio, Miguel A. Ruiz, Bjerga/Iversen, Lali Barriere, Alexander Bruck, Iñigo Cabo, Coeval, Estanis Comella, Rafael Flores, Charo Garaigorta, Tomas Gris, Kjetil Hansen, Michel Henritzi, Zan Hoffman, Oier I.A., Jon Imbernon, Joseba Irazoki, Shin´ichi Isohata, Gora Japon, Krapoola, Joaquin Lana, Roberto Mallo, Jon Mantxi, Seijiro Murayama, Loty Negarti, Noish, Sara Paniagua, Miguel Prado, Hector Rey, Daniel del Rio, Staplerfahrer, Carlos Suarez, Rinus Van Alebeek, Carlos Valverde, Duran Vazquez, Hamburguesa Vegetal, Artur Vidal, Stanislav Vdovin…

web: www.xedh.org
blog: www.xedh.org/miguelagarcia
reviews: http://www.xedh.org/reviews.html

sound extracts (from “Armiarmak” CD)
http://www.archive.org/download/armiarmak/miguel_a_garcia-suge_arrosa.mp3
http://www.archive.org/download/armiarmak/miguel_a_garcia-eve.mp3
http://www.archive.org/download/armiarmak/miguel_a_garcia-armiarma.mp3
http://www.archive.org/download/armiarmak/miguel_a_garcia-suge_gorria.mp3

some videos:
solo:
http://www.youtube.com/watch?v=8Jb8IKjrAGE
with others:
http://www.youtube.com/watch?v=g4u71xSRVTw
http://www.youtube.com/watch?v=i7-TDzoLhJY

************
David Kirby

David Kirby is an Atlanta-based composer and improvisor, performing using magnetic recording devices such as 4-track cassette recorders, hand-held tape recorders, and vintage reel-to-reels. He also curates Homophoni, a netlabel with a focus on electroacoustic composition and improvisation. Kirby’s recorded output spans the past 10 years, and includes monolithic improvisations such as his 6-hour ‘Opus’ (2010), carefully constructed sound collages such as ‘Maximalism’ (2005) and ‘Four Pieces’ (2007), and is featured on releases from Students of Decay, dollfullofrivets, Hymns, onetirednumber, and Pseudo Arcana, with forthcoming releases on Ilse and Copy For Your Records.”

http://www.last.fm/music/David+Kirby

——

Share will take place in the Munch Room tonight @ The (OA) Can Factory.

The Munch Room is located on the first floor of The (OA) Can Factory.
232 3rd Street
Brooklyn, NY 11215

—————-

direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share
http://facebook.com/sharenyc
http://issueprojectroom.org

Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

Tonight’s featured guest is Gemini Wolf (Michael McDermott & Megan Cauley)

Gemini Wolf is a two-headed musical monster that has been experimenting on stage and in the studio since 2007. Sonic architects, songwriters, improvisers and singers Pandar and Mikronesia have lead the band through various incarnations along the way. From afro-beat shamanic krautrock to ambient post-folk noise Gemini Wolf is never satisfied staying within one sound or style for too long. Their new record is Infinite Sand Dunes out on vinyl on earSnake in May.

http://www.geminiwolf.net

———————-

Share @ Issue Project Room @ The (OA) Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215

direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share
http://facebook.com/sharenyc
http://issueprojectroom.org

What is share?

Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

Tonight’s featured guest is Ranjit Bhatnagar

As a sound sculptor, Ranjit Bhatnagar is dedicated to improvisation in fabrication as well as performance. At Share, Ranjit will put together some sort of new instrument out of wires, clamps, and objects found while walking to Issue Project Room.

http://www.moonmilk.com/

———————-

Share @ Issue Project Room @ The (OA) Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215

direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share
http://facebook.com/sharenyc
http://issueprojectroom.or

What is share?

Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

Share @ Issue Project Room @ The (OA) Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215

direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share
http://facebook.com/sharenyc
http://issueprojectroom.or

What is share?

Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

Tonight’s featured guests are 1) Bubblyfish and 2) Kale Elk.

1) Haeyoung Kim aka Bubblyfish performs her latest performance ‘Moori‘.

Set starts at 8:30PM

Moori

Moori is an interactive audience participatory audio-visual performance. By incorporating Apple’s smart device such as a iPhone, iPod, and iPad’s dynamic interface and Mrmr OSC controller, and SMS, users share their thoughts to a proposed question by a performer. The result is a collaboration among performer and audience members, a real-time audio-visual composition and a dramatic narrative.

2) Kale Elk

Set starts at 9:30PM

Kale Elk, a freely improvising duo with Elizabeth Kosack on piano and Kyungmi Lee on flute presents a Rebirthday Ceremony. They will be performing rites of transformation in a harmonious masked mass. Come help us celebrate!

Kale Elk would like to dedicate this set to Suzanne Fiol.

—-

Share @ Issue Project Room @ The (OA) Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215

direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share
http://facebook.com/sharenyc
http://issueprojectroom.org

Photo by Chris Woltmann

Eyal Maoz, James Ilgenfritz, and Lukas Ligeti make up Hypercolor, the NYC-based spastic rock hybrid whose ridiculous artsong craftsmanship alternately revels in complexity or brazen simplicity, favoring entropy and near-disaster over order or tidiness.  Like experimental grafting surgery gone horribly awry, Hypercolor bears limbs borrowed from 80s NYC No-Wave, and early jazz/rock, and orchestral rock textures.

Transcending the boundaries of genre, composer-percussionist Lukas Ligeti has developed a musical style of his own that draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica, and world music, particularly from Africa. He performs frequently on electronic percussion often using the marimba lumina, a rare instrument invented by California engineer and synthesizer legend Don Buchla. Ligeti’s new album Pattern Time (Innova) was released in April of this year.

Musician, performance and visual artist Arrington de Dionyso traverses the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. His most recent project, Malaikat dan Singa, is a trance-punk outfit featuring bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic throatsinging combined with grunts, yelps, and barks), all sung in Indonesian.