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	<title>ISSUE Project Room &#187; free music archive</title>
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		<title>Wet Ink Ensemble (via the WFMU Free Music Archive)</title>
		<link>http://www.issueprojectroom.org/2011/06/10/wet-ink-ensemble-via-the-wfmu-free-music-archive/</link>
		<comments>http://www.issueprojectroom.org/2011/06/10/wet-ink-ensemble-via-the-wfmu-free-music-archive/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 16:44:35 +0000</pubDate>
		<dc:creator>andrew</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Darmstadt2011]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Alex Mincek]]></category>
		<category><![CDATA[Eric Wubbels]]></category>
		<category><![CDATA[free music archive]]></category>
		<category><![CDATA[wet ink ensemble]]></category>

		<guid isPermaLink="false">http://www.issueprojectroom.org/?p=8256</guid>
		<description><![CDATA[<a href="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/06/Wet-Ink-PG-420x280.jpg"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/06/Wet-Ink-PG-420x280-300x200.jpg" alt="" title="Wet-Ink-PG-420x280" width="300" height="200" class="size-medium wp-image-8257" /></a><p>If Wet Ink Ensemble existed when "uptown" and "downtown" still had meaning, much of their programming would seem to land them decidedly north of 34th St. But like the capital-D Downtown groups, the bread and butter of their programming comes from the ensemble members themselves, with composers such as Alex Mincek, Kate Soper, Eric Wubbels, Sam Pluta, playing vital roles in the group . . .</p>]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_8257" class="wp-caption alignleft" style="width: 310px"><a href="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/06/Wet-Ink-PG-420x280.jpg"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/06/Wet-Ink-PG-420x280-300x200.jpg" alt="" title="Wet-Ink-PG-420x280" width="300" height="200" class="size-medium wp-image-8257" /></a><p class="wp-caption-text">Photo by Peter Gannushkin, DOWNTOWNMUSIC.NET</p></div>
<p>If Wet Ink Ensemble existed when &#8220;uptown&#8221; and &#8220;downtown&#8221; still had meaning, much of their programming would seem to land them decidedly north of 34th St. But like the capital-D Downtown groups, the bread and butter of their programming comes from the ensemble members themselves, with composers such as Alex Mincek, Kate Soper, Eric Wubbels, Sam Pluta, playing vital roles in the group.&nbsp;Lately, inching toward its teenage years, the ensemble has started to program ambitious portrait concerts of underheard-in-America European composers like Peter Ablinger and Matthias Spangler, usually in places like Columbia&#8217;s Miller Theater or various cultural centers.</p>
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<p>However, Wet Ink always seems to make two or three appearances a year at ISSUE. <a rel="shadowbox" href="http://www.issueprojectroom.org/music/pianist-stephen-drury-wet-ink-preconcert-lecture-at-8-pm/">Tonight</a>, for the annual <a href="http://www.issueprojectroom.org/darmstadt2011">Darmstadt Institute</a>, Wet Ink Ensemble will play new works by composer, trombonist, early AACM member, and Columbia professor George Lewis, vocalist Kate Soper, and pianist Eric Wubbels, with older works by Rick Burkhardt and Alex Mincek. The tracks below are saxophone &amp; piano duos from the group&#8217;s March 2010 concert at ISSUE: &#8220;Pendulum III&#8221; by saxophonist and Artistic Director Alex Mincek; and &#8220;this is this is this is&#8221; by pianist and Executive Director Eric Wubbels.</p>
<p>Via the <a href="http://freemusicarchive.org/curator/ISSUE_Project_Room/blog/Wet_Ink_Ensemble__ISSUE_Project_Room">WFMU Free Music Archive</a>.</p>
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		<title>Ellen Fullman&#8217;s Long String Instrument (via the Free Music Archive)</title>
		<link>http://www.issueprojectroom.org/2011/05/06/ellen-fullmans-long-string-instrument-via-the-free-music-archive/</link>
		<comments>http://www.issueprojectroom.org/2011/05/06/ellen-fullmans-long-string-instrument-via-the-free-music-archive/#comments</comments>
		<pubDate>Fri, 06 May 2011 17:07:16 +0000</pubDate>
		<dc:creator>andrew</dc:creator>
				<category><![CDATA[110 Livingston]]></category>
		<category><![CDATA[Announcements]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Series Highlights]]></category>
		<category><![CDATA[Ellen Fullman]]></category>
		<category><![CDATA[free music archive]]></category>
		<category><![CDATA[Long String Instrument]]></category>

		<guid isPermaLink="false">http://www.issueprojectroom.org/?p=7861</guid>
		<description><![CDATA[In the early 1980s, Ellen Fullman began developing the &#8220;Long String Instrument,&#8221; stringing tuned piano wire across her Brooklyn studio. In the last thirty years, she has moved this instrument all over the country, and for one day she&#8217;ll perform in ISSUE Project Room&#8217;s new space at 110 Livingston, in Downtown Brooklyn&#160;(May 22: 3 pm [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_7862" class="wp-caption alignleft" style="width: 310px"><a href="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/05/EllenFullman_420x280.jpg"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/05/EllenFullman_420x280-300x200.jpg" alt="" title="EllenFullman_420x280" width="300" height="200" class="size-medium wp-image-7862" /></a><p class="wp-caption-text">Photo by Judy Dater</p></div>
<p>In the early 1980s, <strong><a href="/music/Ellen_Fullman/">Ellen Fullman</a></strong> began developing the &#8220;Long String Instrument,&#8221; stringing tuned piano wire across her Brooklyn studio. In the last thirty years, she has moved this instrument all over the country, and for one day she&#8217;ll perform in ISSUE Project Room&#8217;s new space at 110 Livingston, in Downtown Brooklyn&nbsp;(<strong><a href="http://www.issueprojectroom.org/music/ellen-fullman-110-livingston-3pm/">May 22: 3 pm &amp; 7 pm</a></strong>: brand-new&nbsp;<strong><a href="http://www.issueprojectroom.org/support-us/become-a-member/">ISSUE members</a></strong>&nbsp;get two free tickets). It&#8217;s been compared to standing inside an enormous grand piano, or &#8220;some cyclopean subterranean grotto&#8221; (<em>The Wire</em>). She has an upcoming release on <a href="http://www.importantrecords.com">Important Records</a>, <em>Through Glass Panes</em>, and the mix below includes a few of these tracks as well as collaborations with the artists she&#8217;ll be joined by later this month.</p>
<p><span id="more-7861"></span>
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<p>These comparisons, like &#8220;standing inside an enormous grand piano,&#8221; don&#8217;t quite convey the symbiosis between Fullman&#8217;s instrument and her way of playing it. It&#8217;s true, the audience is sitting in a room with seventy 80-foot, precisely tuned wires strung across it, but the comparison seems to fall apart when you realize you&#8217;ve never quite heard a piano that sounds like this. Instead of playing digitally, Fullman&#8217;s playing seems to live on the threshold of audibility. The on/off of the piano seems distant &mdash; can a light brush on a single string be counted as a &#8220;note,&#8221; in the same way that pressing a key constitutes a note?</p>
<p>The careful tuning of the strings causes sympathetic resonances among them. The wire is strung between resonator boxes made of Sitka spruce, built by a harp builder, and the sound is entirely acoustic. This setup, which on the surface seems simple, like a giant guitar with no frets or a harp with no pedals, creates infinitely complex resonances and acoustic effects. In a resonant space, the line between the instrument sounding and not sounding could be blurred.</p>
<p>The uploaded tracks include collaborations with the musicians she&#8217;ll be performing with on <a href="http://www.issueprojectroom.org/music/ellen-fullman-110-livingston-3pm/">May 22</a>. <em>Through Glass Panes</em>, her new CD on Important Records, includes a duet with Theresa Wong, &#8220;Never Gets Out of Me,&#8221; and other tracks include a duet with percussionist Sean Meehan (&#8220;untitled 3,&#8221; out on cut), electronic musician David Gamper, and trombonist Monique Buzzart&eacute; (&#8220;Fluctuation 5,&#8221; from the album <em>Fluctuations</em> on Pauline Oliveros&#8217;s Deep Listening label).</p>
]]></content:encoded>
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		</item>
		<item>
		<title>WFMU Free Music Archive and ISSUE Project Room</title>
		<link>http://www.issueprojectroom.org/2009/04/11/wfmu-free-music-archive-and-issue-project-room/</link>
		<comments>http://www.issueprojectroom.org/2009/04/11/wfmu-free-music-archive-and-issue-project-room/#comments</comments>
		<pubDate>Sat, 11 Apr 2009 21:30:38 +0000</pubDate>
		<dc:creator>Zach Layton</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[free music archive]]></category>
		<category><![CDATA[wfmu]]></category>

		<guid isPermaLink="false">http://issueprojectroom.org/?p=1339</guid>
		<description><![CDATA[We&#8217;re pretty excited to be working with WFMU on their new and fantastic Free Music Archive to put up some selected excerpts of performances going on here. The Free Music Archive is a social music website built around a curated library of free, legal audio. Fellow curators include radio stations like KEXP (Seattle) and KBOO (Portland OR), webcasters like DUBLAB (Los Angeles) and Halas Radio (Israel), netlabels [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1340" title="woofmoo100" src="http://issueprojectroom.org/wordpresstest/wp-content/uploads/2009/04/woofmoo100.jpg" alt="woofmoo100" width="100" height="70" /></p>
<p>We&#8217;re pretty excited to be working with <a href="http://www.wfmu.org">WFMU</a> on their new and fantastic <a href="http://freemusicarchive.org/">Free Music Archive</a> to put up some selected excerpts of performances going on here.</p>
<p>The Free Music Archive is a social music website built around a curated library of free, legal audio. Fellow curators include radio stations like <strong><a href="http://freemusicarchive.org/curator/kexp">KEXP</a> (Seattle)</strong> and <strong><a href="http://freemusicarchive.org/curator/kboo">KBOO</a> (Portland OR)</strong>, webcasters like <strong><a href="http://freemusicarchive.org/curator/dublab">DUBLAB</a> (Los Angeles)</strong> and <strong><a href="http://freemusicarchive.org/curator/halasam">Halas Radio</a></strong> <strong>(Israel)</strong>, netlabels (<strong><a href="http://freemusicarchive.org/curator/comfort_stand">Comfort Stand</a></strong>), and amazing online collectives like <strong><a href="http://freemusicarchive.org/curator/cash_music">CASH Music</a></strong>. </p>
<p>check it out here:</p>
<p><a href="http://freemusicarchive.org/">http://freemusicarchive.org/</a></p>
]]></content:encoded>
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