SHARE is first and foremost a platform to explore expression, in a variety of artforms. Through its weekly open jam sessions, SHARE.nyc engages its participants and spectators in a continually changing dialog on art and culture. As such, SHARE represents an ongoing exploration of collaborative performance as cultural exchange. It mines the relationship of artistic practice to cultural identity, remapping a multiplicity of cultural discourses. The act of creating artistic content in a multicultural collaborative context is a fascinating and natural extension of the SHARE concept.

Share is an open jam, not just for digirati, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday.

open jams and walk-in sets — Bring your equipment/instruments/gear etc. to join the jam!

audio jam: Prepared and spontaneous music from eight plus simultaneous performers. This is the time and place to perform a piece of music you’ve written and hear it on a large sound system, improvise spontaneously with other participants, get feedback on your latest project or try out that new max patch/software setup. Bring your noise maker of choice and an XLR, quarter-inch or RCA cable to join.

video jam: multi-user live video synthesis. Generating an immersive visual environment, in the SHARE tradition, in which multiple participants are able to jointly compose the video output. Try out and learn about new VJ wetware. As with the audio, walk-in sets are encouraged. Bring your clips or camera or laptop/amiga and VGA, S-Video, or RCA cables to join

8pm, free —

No featured guest scheduled tonight

Share @ Issue Project Room

The (OA) Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215direction/map:
http://issueprojectroom.org/contact
http://is.gd/ljow

SHARE is always 100% FREE!! (no admission!)

Show up early!!! and stay late!!

http://share.dj/share

http://facebook.com/sharenyc
http://issueprojectroom.org

July 1, 2009 – Brooklyn, NY – A month-long program experimenting with and utilizing ISSUE Project Room’s custom-built 15 channel hemispherical speaker system, the Floating Points Festival returns this year with a line-up of luminary sound artists including Hisham Bharoocha, Morton Subotnick, Stephen Vitiello, Zeena Parkins, Suzanne Thorpe, C. Spencer Yeh, and Tony Conrad.

Also on display throughout the month, Kaffe Matthews’ multichannel sound installation “Sonic Bed Marfa” will be on display before each performance starting at 7 pm.

All performances begin at 8 pm and are $15 (ISSUE members, $12) unless otherwise noted. Please visit the web site for more information at www.issueprojectroom.org.

Fri Jul 3
Alan Licht and Loren Connors + Evidence

WEEK 2

Tues Jul 7

Betsey Biggs + Shelley Burgon

Wed Jul 8
See Hear Now (David and Gisele Gamper)

Fri July 10
Lesley Flanigan w/ Luke Dubois

WEEK 3

Wed Jul 15
Mari Kimura

Thurs Jul 16
MV Carbon + Okkyung Lee

Fri Jul 17

C. Spencer Yeh + John Wiese

WEEK 4

Tues Jul 21

Marc Ribot

Wed Jul 22

ISSUE Artist-In-Residence: Ha Yang Kim

ISSUE’s AIR program made possible, in part, through generous support from the Jerome Foundation.

Thurs Jul 23

Thomas Ankersmit + Tony Conrad

Fri Jul 24

Lavalier

WEEK 5

Wed Jul 29
Suzanne Thorpe + Zeena Parkins

Thurs Jul 30
Dan Senn + Stephen Vitiello with Molly Berg

Fri Jul 31

Morton Subotnick

CLOSING NIGHT!

Reception 7:30 pm

Performance 8:30 pm

Tickets $15

Available at Door
Purchase in advance online

Morton Subotnick is one of the pioneers in the development of electronic music and an innovator in works involving instruments and other media, including interactive computer music systems.  The work which brought Subotnick celebrity was Silver Apples of the Moon [1966-7], was commissioned by Nonesuch Records, marking the first time an original large-scale composition had been created specifically for the disc medium – a conscious acknowledgment that the home stereo system constituted a present-day form of chamber music. He is also pioneering works to offer musical creative tools to young children.  He is the author of a series of CDROMS for children, a children’s website [www.creatingmusic.com] and developing a program for classroom and after school programs that will soon become available internationally. 

He tours extensively throughout the U.S. and Europe as a lecturer and composer/performer.

Dan Senn is a composer of experimental classical music, a sculptor of kinetic instruments for exhibition and performance, an experimental video artist for installation and proscenium play, and a documentary filmmaker. He performs and exhibits world-wide and has produced ephemeral public art projects which bring experimental work to alternative audiences. His work is greatly influenced by the “elegant awkwardness” of the raku ceramic process and, while highly expressive, devoid of intended metaphor. Dan lives in Prague and Portland, Oregon, and was a cofounder of Roulette Intermedium, NYC, and Cascadia Composers, Portland, Oregon.

Dan’s performance will encompass elements he has developed for his installation work over recent years including his “Many Pairs Sounding” and “Huffa Puffa” installations, field recordings from The Czech Republic, and recent experimental video.

More can be learned of Dan’s work

www.newsense-intermedium.com

Extreme Terrains by Suzanne Thorpe

Extreme Terrains is a multi-channel work that present’s its audience with opportunities to listen to instinct and interact with the piece on a visceral level, asking listeners to trust what they feel as much as what they hear.  

Featuring 

Alex Chechile on Higher Ground (Oscillators)
http://alexchechile.com/
The body and the brain produce measurable information during the act of musical creation. Chechile uses this information is one part of a significantly connected recursive relationship between the musician and the music.

Joro Boro on the Horizon (Balkan Beats)
http://www.joro-boro.org/about.htm
He plays and promotes Etnoteck (or EthnoMesh1) – the dirty and uninhibited side of globalization force-fed back into a party without borders, a three-day Gypsy wedding in a post-national state where noise, libido and extasy detonate the market mono-culture.

Jawwaad Taylor on the Midway (Trumpet/Words) 
He combines his freestyle rapping skills with the sensibilities of Cecil Taylor and Anthony Braxton.  A free-improvising trumpet player, Jawwaad has worked for several years to craft creative music that kept the authenticity of its sources and maintained the spontaneity of free improvisation. 

Suzanne Thorpe on Low Valleys (Flute/Electronics)
www.suzannethorpe.com
Suzanne Thorpe is a musician, composer, educator and arts-activist who strives for instances of intimacy and understanding through a network of sonic signals. As an electro-acoustic flutist and sound artist, Thorpe works within the peripheral consciousness, exposing coexisting perspectives and concurrent realities via composition, performance and installation. Thorpe performs both acoustically and electronically, extending her instrument with an ever-evolving set-up of analogue and real-time software components.  She plays on the tightrope of feedback systems and composes for multi-channel installations.

In a live setting, the group is interested in a variety of improvisational techniques, one such technique employs a process known as “spatitalization.” At various points during the show, different instruments and vocals are sampled in real-time using a custom-designed interface, and played over a ring of loudspeakers installed around the audience area. The group attempts to create a dimensional element that sometimes serves as the back drop or the center piece of the music.

Lavalier is:

Steve Milton – Vox and Various stuff
Dave Horowitz – Guitars
Terence Caulkins – Glockenspiel, DSP
Yasmin Reshamwala – Keytar and Vox
Melati Melay – Guitar and Vox
Nathan Hasalby – Bass
Jason Pharr – Percussion

Thomas Ankersmit (born 1979, Leiden, The Netherlands) is a musician and artist based in Berlin and Amsterdam. His main instruments are a Serge analogue modular synthesizer, computer and alto saxophone.
His music and installation work have been presented at Hamburger Bahnhof, KW Institute for Contemporary Art and Podewil, Berlin; ZKM, Karlsruhe; Kunsthalle Basel; Serralves Museum of Contemporary Art, Porto and P.S.1 Contemporary Art Center, New York as well as at festivals across Europe, the Americas and Asia.

“Jump-starting his performance on the intimidating Serge modular synthesizer, Ankersmit created a fractured, tension-filled stream of electric sound. Flicking switches and pulling at patchcords at breakneck speed, he shaped his swarm of synthesized blips and metallic jabs into a very deliberate, beautifully coherent composition. Constantly reconfiguring his electroacoustic pinpricks and distorted crackle, microscopic but detail-rich and intensely vibrant, sonic fragments skittered across the stereo spectrum like fireflies.

Continuing on acoustic alto saxophone, he slowed down the event density but maintained the heat, pairing intensely focussed energy and sonic determination with a delicate sensitivity to texture. Ankersmit’s saxophone voice is an entrancing, violent mass of multiphonic, shapeshifting sound, oscillating endlessly through circular breathing, penetrating every corner of the room. Far removed from the syntax of jazz or improv, his was a spectacular recontextualisation of the instrument’s possibilities, forcing it into uncharted sonic territory.” – VPRO

This concert is supported by the Netherlands Fund for Performing Arts+ and DNK Amsterdam

Tony Conrad (b. 1940) teaches on the media study faculty of SUNY at Buffalo.   Over the last twenty years he has been especially active in video.   His work with music composition and performance started while he was a mathematics student, after which he was associated with the founding of “minimal” music and “underground” film.   His movie The Flicker is one of the key early works of the “structural” film movement.   His art videotapes are widely seen, and he has produced more than 250 programs for public access cable in Buffalo.   Conrad performs his recent music regularly at festivals, clubs and new music venues in the US and Europe.

“Tony Conrad is a pioneer, as seminal in his way to American music as Johnny Cash or Captain Beefheart or Ornette Coleman, one of those really savvy Old Guys whom all the kids want to emulate because their ideas, their style are electric and new and somehow indivisible.”  - Steve Dollar

MV Carbon is a Brooklyn based sound artist and composer.  She collects field recordings and builds samples to create moody soundscapes. Her cello is manipulated and processed through reel-to-reel tape machines and numerous electronic devices, including an accelerometer on the cello bow programmed to effect pitch. Her orchestrations are designed to form visualizations as the woven sounds swell, stutter, contort and resolve.  She is interested in discovering the place in music that flutters between the serene and the overwhelming.  Carbon has collaborated  sonically with many artists including  Aki Onda ,  Evan Parker, John Wiese, Tony Conrad, and C. Spencer Yeh.   She has releases out with Metalux and Bride of No No on labels (5RC, Atavistic, Hanson, Load, Nihilist, No Fun, Troubleman Unlimited, Veglia…).  Her first solo LP, The Dislodged Perihelion, is to be released on Ecstatic Peace this fall. 

Her performance at Issue Project Room in July will use the multi –speaker system to portray concepts of time passage in moments of stillness. She is gathering field recordings in open-air industrial and urban environments and shaping these sounds into percussive form.   Her instruments for this performance will be the cello, samplers, tape machines, and oscillators.

Organic Digits: Kimura-Borissov-Mourad Project

Mari Kimura teams up with visual artists Liubo Borissov and Kevork Mourad, presenting everything from her virtuosic solo works of her signature bowing technique Subharmonics, to realtime interactive audio visual works, using Issue Project Room’s 15 channel diffusion system.   Kimura’s violin and Mourad’s paintings are processed in realtime using MaxMSP/Jitter, a bowing motion sensor “Augmented Violin” (IRCAM), and Borissov’s interactive graphics video processing.   Kimura will present her current works using the Augmented Violin system in collaboration with the Realtime Interaction Team at IRCAM, which allows her to ‘clone’ her playing by recording her bowing gesture along with sound.   The program also includes a virtual video duet of Japanese Shamisen and violin, written by a Shamisen Master Mojibe Tokiwazu IV, the head of the House of Tokiwazu, the traditional Kabuki orchestra since the 1700s.  Kimura will also present an elegant processing work by Japanese MaxMSP guru Takayuki Rai, and a blisteringly fast masterpiece by Conlon Nancarrow.
—————
http://www.marikimura.com

Please visit my Blog: “Extended Violin Diary”
http://subharmonics.blogspot.com/

Betsey Biggs is a composer and interdisciplinary artist whose work in music, sound, video and installation has been called “psychologically complex” by the New Yorker. Her work aims to expose the beautiful in the mundane, to actively engage the audience, and to transform the city into a creative interface through psychogeographic practice. Recent projects include a theatrical work with flutist and performer Margaret Lancaster, an outdoor mixer powered by people’s shadows and a series of downloadable soundtracks meant for walkers to engage with their surroundings. Betsey recently received her Ph.D. at Princeton University, writing about public sound art, and will begin a postdoctoral fellowship at Brown University in the fall of 2009.

Shelley Burgon (harp & computer) is a member of the performing/composer chamber ensemble Ne(x)tworks and the band Stars Like Fleas. She has spent the last seven years improvising as a soloist and with many legendary people associated with the New York downtown avante-garde. She has been hailed by the New York Times as being a “mesmerizing” interpreter of modern music. Shelley has performed her music and the music of contemporary composers for series such as the the MATA Festival, Issue Project Rooms Points in a Circle, free103point9 Wave Farm and Summer Winds, and the Vision Festival among others. In May 2009 she was honored to premiere a new piece for the Merce Cunningham Hudson Valley Project at the Dia:Beacon. She is currently collaborating on an electronic music project with songwriter/vocalist Paul Duncan. Shelley received a BA in Music from SFSU and an MFA in Electronic Music from Mills College. She can be heard as a collaborator and guest on many labels including Hometapes, Skirl, Tzadik and Ipecac.

Harpist Shelley Burgon will perform “Mirrored Ceiling,” a new composition by Stephan Moore for harp and multi-channel audio, in which the harp is fed through a network of shifting delays to create shimmering, meditative sonic patterns.

www.myspace.com/shelleyburgon

www.myspace.com/starslikefleas

www.nextworksmusic.net

www.myspace.com/nacnudluap