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	<title>ISSUE Project Room &#187; discussion</title>
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		<title>TEDxFortGreene Salon: Ingrid LaFleur, Melvin Gibbs, Dr. Ben Dubin-Thaler, and Todd Shalom</title>
		<link>http://www.issueprojectroom.org/2011/08/08/tedxfortgreene-salon/</link>
		<comments>http://www.issueprojectroom.org/2011/08/08/tedxfortgreene-salon/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 01:05:18 +0000</pubDate>
		<dc:creator>andrew</dc:creator>
				<category><![CDATA[discussion]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[ecology]]></category>
		<category><![CDATA[tedx]]></category>
		<category><![CDATA[tedxfortgreene]]></category>

		<guid isPermaLink="false">http://www.issueprojectroom.org/?p=8474</guid>
		<description><![CDATA[ISSUE Project Room is partnering with TEDxFort Greene to present a series of TEDx salons culminating in a TEDx conference in June 2012. The second TEDxFortGreene Salon hosted at ISSUE Project Room will feature stories of creativity and innovation. Speakers include curator Ingrid LaFleur; bassist Melvin Gibbs, who will speak about his new work The [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-8585" title="Architect Rodney Leon from the TEDxFortGreene Salon held at ISSUE Project Room in June 2011. Photo by Frederick V. Nielsen II" src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/08/09-18-TEDxFortGreene-web.jpg" alt="" width="200" height="301" /></p>
<p>ISSUE Project Room is partnering with <strong>TEDxFort Greene</strong> to present a series of TEDx salons culminating in a TEDx conference in June 2012. The second TEDxFortGreene Salon hosted at ISSUE Project Room will feature stories of creativity and innovation. Speakers include curator Ingrid LaFleur; bassist Melvin Gibbs, who will speak about his new work The DNA Project in which he uses DNA databases to reconstruct the roots of his family tree; Dr. Ben Dubin-Thaler, whose Cell Motion BioBus is a high-tech laboratory on wheels; and Elastic City founder Todd Shalom, who presents conceptual walks by artists throughout and outside of New York. Hors d’oeuvre and gourmet pizza by local chefs will be served, along with a wine and cognac tasting.</p>
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		<title>Littoral: The Hole Picture: An Intergenerational Dialogue on Erotics &amp; Porn in Lesbian-Feminist Queer Cinema</title>
		<link>http://www.issueprojectroom.org/2011/02/04/littoral-3pm-the-hole-picture-an-intergenerational-dialogue-on-erotics-porn-in-lesbian-feminist-queer-cinema/</link>
		<comments>http://www.issueprojectroom.org/2011/02/04/littoral-3pm-the-hole-picture-an-intergenerational-dialogue-on-erotics-porn-in-lesbian-feminist-queer-cinema/#comments</comments>
		<pubDate>Fri, 04 Feb 2011 07:02:46 +0000</pubDate>
		<dc:creator>jakebecker</dc:creator>
				<category><![CDATA[discussion]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[upcoming events]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[littoral]]></category>
		<category><![CDATA[male gaze]]></category>
		<category><![CDATA[Porn]]></category>
		<category><![CDATA[pornography]]></category>
		<category><![CDATA[queer theory]]></category>
		<category><![CDATA[sexuality]]></category>

		<guid isPermaLink="false">http://www.issueprojectroom.org/?p=6851</guid>
		<description><![CDATA[The feminist reception and production of pornography has had a complicated &#38; fascinating trajectory, a discourse of representation often bound by the logic of the male gaze. The Hole Picture brings together a selection of socio-sexual films &#38; videos by artists Barbra Hammer, A.K. Burns and A.L. Steiner that celebrate desire and redefine notions of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/HOLEpicture-1.jpg"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/HOLEpicture-1-170x300.jpg" alt="" title="HOLEpicture-1" width="170" height="300" class="alignleft size-medium wp-image-7249" /></a></p>
<p>The feminist reception and production of pornography has had a complicated  &amp; fascinating trajectory, a discourse of representation often bound  by the logic of the male gaze. The Hole Picture brings together a  selection of socio-sexual films &amp; videos by artists <strong>Barbra Hammer</strong>,  <strong>A.K. Burns</strong> and <strong>A.L. Steiner</strong> that celebrate desire and redefine notions  of queer sexuality and the lesbian body. Presenting a multigenerational overview of representation, this screening and panel discussion will focus on contemporary artistic practices which incorporate avant-garde  visions of sexuality and erotics, dissecting the trope of pornography itself. Screening will be followed by a discussion with the filmmakers,  moderated by art historian Kelly Dennis, author of <em>Art/Porn: A History of Seeing and Touching</em>. This event is presented in collaboration with <a href="http://www.mixnyc.org/" target="_blank">MIX NYC</a>.<br />
</em><br />
<em>Dyketactics</em>, 1974, 4 minutes, Barbara Hammer<br />
<em>Menses</em>, 1974, 4 minutes, Barbara Hammer<br />
<em>Multiple Orgasm</em>, 1976, 6 minutes, Barbara Hammer<br />
<em>Women I Love</em>, 1976, 22 minutes, Barbara Hammer<br />
<em>Superdyke Meets Madame X</em>, 1977, 20 minutes, Barbara Hammer<br />
<em>Community Action Center</em>, 2010, 69 mins., A.K. Burns + A.L. Steiner</p>
<p><span id="more-6851"></span><em>Community Action Center</em> is  a 69-minute sociosexual video by <strong>A.K. Burns</strong> and <strong>A.L. Steiner</strong>. The piece  incorporates the erotics of a community where the personal is not only  political, but sexual. This project was heavily inspired by  porn-romance-liberation films of the 70&#8242;s which served as distinct  portraits of the urban inhabitants, landscapes and the body politic of a  particular time and place. Community Action Center is a unique  contemporary womyn-centric composition that serves as both an ode and a  hole-filler.</p>
<p>Because  the video contains sexually explicit content, the term ‘porn’ is  relevant and the artists have an interest in exploring the trappings of  the term itself. Sex, sexuality and the complexities of gendered bodies  are inherently political. Queer sex and feminist agency is a shared  acknowledgment of reciprocal penetration. This project is a small  archive of an intergenerational community built on collaboration,  friendship, sex and art. The work attempts to explore a consideration of  feminist fashion, sexual aesthetics and an expansive view of what is  defined as ‘sex’. Burns and Steiner worked with artists and performers  who created infinitely complex gender and performance roles that are  both real and fantastical, set to a soundtrack of music and original  compositions by artists culled from the worldwide sisterhood. The video  seeks to expose and reformulate paradigms that are typical of porn  typologies, intentionally exploiting tropes for their comical value,  critical consideration and historical homage. Using the gallery to  exer/exorcise the mystical and discreet lost spaces of homosocial  configuration, the artists have created a reason and a space to reflect  on the cultural realness of homo-grown lesbian sexuality. The work aims  to be a hedonistic and distinctly political adventure.</p>
<p><div id="attachment_7253" class="wp-caption alignleft" style="width: 310px"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/Menses_1974_still.852KB-300x228.jpg" alt="" title="Menses_1974_still.852KB" width="300" height="228" class="size-medium wp-image-7253" /><p class="wp-caption-text">Menses, 1974 by Barbara Hammer</p></div><br />
<div id="attachment_7254" class="wp-caption alignleft" style="width: 310px"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/WIL_Tee.colorFilmFrame-300x224.jpg" alt="" title="WIL_Tee.colorFilmFrame" width="300" height="224" class="size-medium wp-image-7254" /><p class="wp-caption-text">Women I Love, 1976 by Barbara Hammer</p></div><br />
<div id="attachment_7252" class="wp-caption alignleft" style="width: 310px"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/DT_ProdSTill_ChrisSaxtonBHDebbyHoffman_300dpi-copy-300x197.jpg" alt="" title="DT_ProdSTill_ChrisSaxton,BH,DebbyHoffman_300dpi copy" width="300" height="197" class="size-medium wp-image-7252" /><p class="wp-caption-text">Dyketactics, 1974 by Barbara Hammer</p></div></p>
<p class="credits" style="clear: both;">Since 1987, MIX NYC has presented the latest in queer experimental film and previously unseen works from legendary figures in avant-garde cinema. In addition to our vanguard screenings, exciting interactive installations, and infamous parties, MIX NYC also provides year-round community screenings, a summer media workshop for queer youth, film preservation projects, and the groundbreaking ACT UP Oral History Project, documenting how collective action transformed AIDS activism, queer identity and health care in America.</p>
<p><a href="http://www.mixnyc.org/" target="_blank"><img src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/mixnyc.jpg" alt="" title="mixnyc" width="300" height="165" class="alignleft size-full wp-image-7119" /></a></p>
<p class="credits" style="clear: both;">The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts.</p>
<p><img class="alignleft size-medium wp-image-6949" title="Experimental Television Center logo" src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2011/02/ETC-LogowithNameType-300x141.jpg" alt="" width="300" height="141" /></a></p>
<p class="credits" style="clear: both;">ISSUE’s Littoral Series is made possible, in part, through generous support from The Casement Fund and the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York’s 62 counties.</p>
<p><img style="border: 0px initial initial;" title="casement_fundlogo" src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2010/08/casement_fundlogo1.jpg" alt="casement_fundlogo" width="300" height="114" /></p>
<p><a href="http://www.nysca.org/"><img style="border: 0px initial initial;" title="nysca_100px" src="http://www.issueprojectroom.org/wordpresstest/wp-content/uploads/2010/08/nysca_100px.gif" alt="nysca_100px" width="100" height="126" /></a><a href="http://www.experimentaltvcenter.org/"></p>
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		<title>Charlotta Kotik  (cancelled)</title>
		<link>http://www.issueprojectroom.org/2009/04/01/charlotta-kotik/</link>
		<comments>http://www.issueprojectroom.org/2009/04/01/charlotta-kotik/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 15:16:29 +0000</pubDate>
		<dc:creator>Zach Layton</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[literary]]></category>
		<category><![CDATA[visual art]]></category>
		<category><![CDATA[curatorial]]></category>
		<category><![CDATA[discussion]]></category>
		<category><![CDATA[lecture]]></category>
		<category><![CDATA[talk]]></category>

		<guid isPermaLink="false">http://issueprojectroom.org/?p=1284</guid>
		<description><![CDATA[CHARLOTTA KOTIK Charlotta Kotik, curator at the Brooklyn Museum since 1983, was born and raised in Brooklyn. She studied art history and archaeology on the undergraduate and graduate levels at Charles University in Prague, Czech Republic. She has worked at the Jewish Museum, the National Gallery, Prague’s National Institute for Preservation and Reconstruction of Architectural Landmarks, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>CHARLOTTA KOTIK </strong><br id="t6o:42" />Charlotta Kotik, curator at the Brooklyn Museum since 1983, was born and raised in Brooklyn. She studied art history and archaeology on the undergraduate and graduate levels at Charles University in Prague, Czech Republic. She has worked at the Jewish Museum, the National Gallery, Prague’s National Institute for Preservation and Reconstruction of Architectural Landmarks, and the Albright-Knox Art Gallery. <br id="t6o:43" /><br id="t6o:44" />During her tenure at the Brooklyn Museum, Kotik has organized site-specific installations of works by Martin Puryear, Jenny Holzer, and Joseph Kosuth in the institution’s Grand Lobby. She also curated Louise Bourgeois: The Locus of Memory, Works 1982-1993, the widely acclaimed special exhibition that toured internationally after its debut at the Venice Biennale in 1993. <br id="t6o:45" /><br id="t6o:46" />As of 2006, Kotik is the John and Barbara Curator of Contemporary Art at the Brooklyn Museum.</p>
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		<item>
		<title>Optosonic Tea</title>
		<link>http://www.issueprojectroom.org/2009/02/17/optosonic-tea/</link>
		<comments>http://www.issueprojectroom.org/2009/02/17/optosonic-tea/#comments</comments>
		<pubDate>Tue, 17 Feb 2009 23:35:30 +0000</pubDate>
		<dc:creator>stephanie</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[discussion]]></category>
		<category><![CDATA[optosonic tea]]></category>

		<guid isPermaLink="false">http://issueprojectroom.org/?p=899</guid>
		<description><![CDATA[OptoSonic Tea Live sets by: - Richard Lainhardt (live visuals and live sound) - Domenico Sciajno (I) (live visuals and live sound) Invited respondent/moderator: - Zach Layton Suggested donation: $ 7 OptoSonic Tea is a regular series of meetings dedicated to the convergence of live visuals with live sound which focuses on the visual component. [...]]]></description>
			<content:encoded><![CDATA[<p><!--StartFragment--></p>
<p class="MsoNormal"><strong>OptoSonic Tea<br />
</strong></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>Live sets by:</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>- Richard Lainhardt (live visuals and live sound) </span></p>
<p class="MsoNormal"><span>- Domenico Sciajno (I) (live visuals and live sound)</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>Invited respondent/moderator:</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>- Zach Layton</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>Suggested donation: $ 7<br />
</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span><strong>OptoSonic Tea </strong></span><span>is a regular series of meetings dedicated to the convergence of live visuals with live sound which focuses on the visual component. These presentation-and-discussion meetings aim to explore different forms of live visuals (live video, live film, live slide projection and their variations and combinations) and the different ways they can come into interaction with live audio. Each evening features two different live visual artists or groups of artists who each perform a set with the live sound artists of their choice. The presentations are followed by an informal discussion about the artists&#8217; practices over a cup of green tea. A third artist, from previous generations of visualists or related fields, is invited specifically to participate in this  discussion so as to create a dialogue between current and past practices and provide different perspectives on the present and the future.</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>Organized by Katherine Liberovskaya and Ursula Scherrer</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span><strong> </strong></span></p>
<p class="MsoNormal"><span>OptoSonic Tea is partly funded by the Experimental Television Center.</span></p>
<p class="MsoNormal"><span><strong>About the artists:</strong></span></p>
<p class="MsoNormal"><span><strong>Richard Lainhart </strong></span><span>is an award-winning composer, author, and filmmaker. He studied composition and electronic music with Joel Chadabe at the State University of New York at Albany, and has worked and performed with John Cage, David Tudor, Steve Reich, Phill Niblock, David Berhman, and Jordan Rudess, among many others. He&#8217;s also played vibes in a swing band; composed music for film, television, CD-ROMs, interactive applications, and the Web; engineered audio for recordings and live sound; and served as technical director at Intelligent Music, a pioneering music software company.</span></p>
<p class="MsoNormal"><span>His compositions have been performed in the US, England, Sweden, Germany, Australia, and Japan. Recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, ExOvo and Airglow Music labels and are distributed online via MusicZeit. As an active performer, Lainhart has appeared in public approximately 2000 times. He has composed over 100 electronic and acoustic works, and has been making music for 40 years. In 2008, he was commissioned by the Electronic Music Foundation to contribute a work to New York Soundscape (www.arts-electric.org/stories/080511_nycsoundscape.html).</span></p>
<p class="MsoNormal"><span>Lainhart&#8217;s animations and short films have been shown in festivals in the US, Canada, Germany, and Korea, and online at ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. His film &#8220;A Haiku Setting&#8221; won awards in several categories at the 2002 International Festival of Cinema and Technology in Toronto. In 2008, he was awarded a Film &amp; Media grant by the New York State Council on the Arts for &#8220;No Other Time&#8221;, full-length intermedia performance designed for a large reverberant space, combining live analog electronics with four-channel playback, and high-definition computer-animated film projection.</span></p>
<p class="MsoNormal"><span>You can find examples of his music and digital artworks at his website, http://www.otownmedia.com.</span></p>
<p class="MsoNormal"><span>Some of his short films are available at http://<a href="http://www.vimeo.com/rlainhart">www.vimeo.com/rlainhart</a>.</span></p>
<p class="MsoNormal"><span><strong> </strong></span></p>
<p class="MsoNormal"><span><strong>Domenico Sciajno</strong></span><span> was born in Torino (Italy) in 1965. He is based in Palermo since 1999. A double bass player and composer, he studied &#8216;Instrumental and Electronic Composition&#8217; with Gilius Van Bergeijk and Double bass in the &#8216;Royal Conservatory&#8217; of Den Haag in Holland. His interest in improvisation and the influence of academic education bring his research to the creative possibilities given by the interaction between acoustic instruments, indeterminacy factors and their live processing by electronic devices or computers. </span></p>
<p class="MsoNormal"><span>From 1992 he has played at some of the most important festivals as musician, improviser or composer in the contemporary and experimental music scene and some of his work is documented by worldwide independent labels of experimental and electronic music.</span></p>
<p class="MsoNormal"><span>The wide spectrum of his experiences bring him very close to the concept of performance, where he uses texts and electronics in combination with a choreografic use of the scene space and the projection of visuals made by himself. He also makes Interactive Sound Installations for art galleries and exhibitions.</span></p>
<p class="MsoNormal"><span>He is also an activist in the developement of experimental arts. In 1995 he founded the association Antitesi and from 1995 and 1998 organized concerts and little festivals (Antitesi in musica ‘95/‘96, Folk it out! ‘97, i(n)terazioni ‘98, Inaudito! ‘99). In 1997 he collaborated to give birth to the Fringes record label. In 2003 he started toghether with other musicians the label Bowindo and<span> </span>founded the national collective iXem (italian eXperimental electronic music).</span></p>
<p class="MsoNormal"><span>In the 2004 edition of Prix Ars Electronica his work OUR UR in collaboration with Alvin Curran received an honorary mention.</span></p>
<p class="MsoNormal"><span><a href="http://www.sciajno.net"><span>http://www.sciajno.net</span></a></span></p>
<p class="MsoNormal"><span><a href="http://www.myspace.com/sciajno"><span>http://www.myspace.com/sciajno</span></a></span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span><strong>Zach Layton</strong></span><span> is a composer, curator, improviser and new media artist based in Brooklyn with an interest in biofeedback, generative algorithms, experimental culture and architecture. His work investigates complex relationships and topologies created through the interaction of simple core elements like sine waves, minimal surfaces and kinetic visual patterns.</span></p>
<p class="MsoNormal"><span>Zach&#8217;s work has been performed by the Cleveland Chamber Symphony and he has performed and exhibited at the Kitchen, Roulette, Joe&#8217;s Pub, exit art, Art forum Berlin, New York Electronic Art Festival, Yerba bBena Center for the Arts, Eyebeam, Sculpture Center, Diapason, Issue Project Room, Millenium Film Workshop, Bushwick Arts Project, St. Mark&#8217;s Ontological Theater, Dumbo Arts Festival, New York Digital Salon, Miguel Abreu Gallery, Participant Gallery, Monkeytown and many other venues in New York, South America and Europe. He has collaborated with Luke Dubois, Vito Acconci, Joshua White, Jonas Mekas, Bradley Eros, Andy Graydon, Nick Hallett, Matthew Ostrowski, Michael Evans, MV Carbon, Seth Kirby, Matthew Welch, Christine Bard, Alex Waterman, Patrick Hambrect, Marissa Olsen, Angie Eng, Adam Kendall, Chika Ijima, Tristan Perich and Ray Sweeten among many other artists, filmmakers, curators and musicians.</span></p>
<p class="MsoNormal"><span>Zach is also founder of Brooklyn&#8217;s monthly experimental music series, &#8220;darmstadt: classics of the avant garde&#8221; co-curated with Nick Hallett featuring leading local and international composers and improvisers, co-curator of the PS1 summer warmup music series and is one of the directors of Issue Project Room. Zach has received grants from the Netherlands America Foundation, Turbulence and the Jerome Foundation and is a graduate of the Oberlin Conservatory and the Interactive Telecommunications Program.</span></p>
<p class="MsoNormal"><span>http://www.zachlaytonindustries.com</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><span>for more information about OptoSonic Tea please visit:</span></p>
<p class="MsoNormal"><span>http://www.diapasongallery.org/optosonic.html</span></p>
<p><!--EndFragment--></p>
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