Ha Yang Kim
Artist In Residence: Ha-Yang Kim
Admission: $15
Cellist, composer and improviser Ha-Yang Kim was born in Seoul, Korea. Ha-Yang made her professional solo debut at age 16 with the Atlanta Symphony Orchestra. Hailed as “phenomenal” and playing with “brilliant technique full of energy, concentration, musicality and expression” (Mainpost, Germany), she performs new music as a soloist and with ensembles and artists in festivals and concert venues throughout the world. She is the founder of Odd Appetite, a cello-percussion duo which performs and commissions new contemporary works alongside original works and improvisations. Ms. Kim has developed a unique language of extended string techniques and has created her own music based on this work, as well as collaborating on new pieces from other composers. Her musical influences draw equally from a range of western classical music, American experimentalism, rock, jazz, and improvised music, to non-western musical sources from Bali, Korea and South Indian classical music (Karnatic). Her music has been performed in the US, Turkey, The Netherlands, Belgium, Korea, and Germany. In seeking new musical experiences, Ha-Yang has performed traditional and new Balinese music as a member of Gamelan Galak Tika, and has collaborated/ performed with many diverse musicians such as Evan Ziporyn, Cecil Taylor, John Zorn, Christian Wolff, Lee Hyla, Louis Andriessen, Lukas Ligeti, Larry Polansky, and Stefan Poetzsch, with whom she has presented original compositions incorporating electronics, dance, theatre, and multi-media.
Past performances include as soloist at Carnegie Hall, touring and playing at festivals in the US, Europe, Cuba and Bali, Indonesia, performing at the Bang on a Can Marathon with both her duo and the All-Stars, composing for and performing at the Kwacheon International Theatre Festival in Seoul, Korea, a solo recital at the Hochschule für Musik in Würzburg, Germany, and broadcast recordings for the Bavarian Radio Network. Upcoming performances of her music include at festivals in St. Petersburg and Moscow, Russia, Holland, Belgium and in the US. Ama, a CD of her own compositions, is released on Tzadik. Ms. Kim has also recorded for New World, Cold Blue, New Albion, Karnatic Lab and Bridge Records.
She has received prizes and awards including a grant from Meet the Composer, Trust for Mutual Understanding, the Argosy Foundation, the Ruth Schwob Foundation, and The Atlanta Symphony Orchestra. Ms. Kim has been an artist-in-residence at Princeton University, Brown University, Harvard University, Dartmouth College, Bates College, Brandeis University and at the Walden School for Young Composers. Ha-Yang studied cello, improvisation, and microtonality at the New England Conservatory of Music, Karnatic music concepts at the Conservatorium van Amsterdam, and was on the faculty at Franklin Pierce College in New Hampshire, USA. She currently lives in Brooklyn, New York.
ISSUE Project Room’s Artist In Residence Program is made possible through generous support from the Jerome Foundation
MV Carbon + Okkyung Lee
MV Carbon is a Brooklyn based sound artist and composer. She collects field recordings and builds samples to create moody soundscapes. Her cello is manipulated and processed through reel-to-reel tape machines and numerous electronic devices, including an accelerometer on the cello bow programmed to effect pitch. Her orchestrations are designed to form visualizations as the woven sounds swell, stutter, contort and resolve. She is interested in discovering the place in music that flutters between the serene and the overwhelming. Carbon has collaborated sonically with many artists including Aki Onda , Evan Parker, John Wiese, Tony Conrad, and C. Spencer Yeh. She has releases out with Metalux and Bride of No No on labels (5RC, Atavistic, Hanson, Load, Nihilist, No Fun, Troubleman Unlimited, Veglia…). Her first solo LP, The Dislodged Perihelion, is to be released on Ecstatic Peace this fall.
Her performance at Issue Project Room in July will use the multi –speaker system to portray concepts of time passage in moments of stillness. She is gathering field recordings in open-air industrial and urban environments and shaping these sounds into percussive form. Her instruments for this performance will be the cello, samplers, tape machines, and oscillators.
Artist In Residence: Ha-Yang Kim
Cellist, composer and improviser Ha-Yang Kim was born in Seoul, Korea. Ha-Yang made her professional solo debut at age 16 with the Atlanta Symphony Orchestra. Hailed as “phenomenal” and playing with “brilliant technique full of energy, concentration, musicality and expression” (Mainpost, Germany), she performs new music as a soloist and with ensembles and artists in festivals and concert venues throughout the world. She is the founder of Odd Appetite, a cello-percussion duo which performs and commissions new contemporary works alongside original works and improvisations. Ms. Kim has developed a unique language of extended string techniques and has created her own music based on this work, as well as collaborating on new pieces from other composers. Her musical influences draw equally from a range of western classical music, American experimentalism, rock, jazz, and improvised music, to non-western musical sources from Bali, Korea and South Indian classical music (Karnatic). Her music has been performed in the US, Turkey, The Netherlands, Belgium, Korea, and Germany. In seeking new musical experiences, Ha-Yang has performed traditional and new Balinese music as a member of Gamelan Galak Tika, and has collaborated/ performed with many diverse musicians such as Evan Ziporyn, Cecil Taylor, John Zorn, Christian Wolff, Lee Hyla, Louis Andriessen, Lukas Ligeti, Larry Polansky, and Stefan Poetzsch, with whom she has presented original compositions incorporating electronics, dance, theatre, and multi-media.
Past performances include as soloist at Carnegie Hall, touring and playing at festivals in the US, Europe, Cuba and Bali, Indonesia, performing at the Bang on a Can Marathon with both her duo and the All-Stars, composing for and performing at the Kwacheon International Theatre Festival in Seoul, Korea, a solo recital at the Hochschule für Musik in Würzburg, Germany, and broadcast recordings for the Bavarian Radio Network. Upcoming performances of her music include at festivals in St. Petersburg and Moscow, Russia, Holland, Belgium and in the US. Ama, a CD of her own compositions, is released on Tzadik. Ms. Kim has also recorded for New World, Cold Blue, New Albion, Karnatic Lab and Bridge Records.
She has received prizes and awards including a grant from Meet the Composer, Trust for Mutual Understanding, the Argosy Foundation, the Ruth Schwob Foundation, and The Atlanta Symphony Orchestra. Ms. Kim has been an artist-in-residence at Princeton University, Brown University, Harvard University, Dartmouth College, Bates College, Brandeis University and at the Walden School for Young Composers. Ha-Yang studied cello, improvisation, and microtonality at the New England Conservatory of Music, Karnatic music concepts at the Conservatorium van Amsterdam, and was on the faculty at Franklin Pierce College in New Hampshire, USA. She currently lives in Brooklyn, New York.
ISSUE Project Room’s Artist In Residence Program is made possible through generous support from the Jerome Foundation
Francesco Dillon & Emanuele Torquati
“Simple Space”
New Music for cello and piano
Emanuele Torquati, piano
Francesco Dillon, cello
Program
G. Scelsi: To the Master for cello and piano
M. Van der Aa: Oog for cello solo and electronics
S. Sciarrino: Melancolia 1 for cello and piano
M. Srnka: Simple Space
J. Harvey: Tombeau de Messiaen for piano and DAT
Silvestrov: Postludium 3 for cello and piano
Cellist Francesco Dillon was born in Torino in 1973.He graduated with the maximum of degrees at the Conservatorio “L.Cherubini” in Firenze under the inspirational guidance of Andrea Nannoni. Other very influential teachers where David Geringas, Mario Brunello and Amedeo Baldovino and for the composition studies Salvatore Sciarrino. Beside his solo activity (with Orchestra nazionale della RAI, Orchestra Sinfonica Siciliana,Orchestra Haydn among the others) he’s very active as cellist of the Quartetto Prometeo (wich tours regularly in Europe, Japan and South America). His deep interest in contemporary music led him to collaborate closely and regularly with some of the most important composers of today such as Gavin Bryars,Philip Glass,Vinko Globokar,Jonathan Harvey,Toshio Hosokawa,Giya Kancheli,David Lang,Henri Pousseur,Kaja Saariaho,Salvatore Sciarrino and with well renowned electronic musicians such as Matmos,Pansonic,Scanner,Midaircondo.
As a member of the internationally acclaimed group AlterEgo he has performed in all the major contemporary music festivals (Stockholm New Music, MaerzMusik, Festival Archipel, Ircam, Romaeuropa Festival, Ultima Festival Oslo, Wien Modern, Gaida Festival, Huddersfield Festival, Nous Sons Barcellona, Taktlos Berna, Musica Electronica Nova Wroclaw,Temporada Buenos Aires,Milano Musica,Biennale Venezia among others). He regularly plays chamber music with partners such as I.Arditti,G.Carmignola,M.Campanella,P.Farulli,V.Hagen,A.Lonquich,A.Lucchesini,E.Pace,R.Schmidt (Hagen string quartet),P.Vernikov. He won several competitions and with the quartet prizes at Pague spring (1st prize 1998), ARD Munich, Bordeaux. His performances were broadcasted by the German ARD, Saarländischer Rundfunk and Bayerische Rundfunk, the English BBC, Radio France, the Austrian ORF, Australian ABC and regularly for the Italian RAI Radio 3. He recorded for the labels Aulos,Dynamic,Ricordi,Stradivarius and Touch. His next releases will be the first world recordings of Variazioni for cello and orchestra by Salvatore Sciarrino and the Ballata by Giacinto Scelsi with the Italian National Radio Orchestra. He teaches at the Scuola di musica di Fiesole.
Ha Yang Kim
Cellist, composer and improviser Ha-Yang Kim was born in Seoul, Korea. Ha-Yang made her professional solo debut at age 16 with the Atlanta Symphony Orchestra. Hailed as “phenomenal” and playing with “brilliant technique full of energy, concentration, musicality and expression” (Mainpost, Germany), she performs new music as a soloist and with ensembles and artists in festivals and concert venues throughout the world. She is the founder of Odd Appetite, a cello-percussion duo which performs and commissions new contemporary works alongside original works and improvisations. Ms. Kim has developed a unique language of extended string techniques and has created her own music based on this work, as well as collaborating on new pieces from other composers. Her musical influences draw equally from a range of western classical music, American experimentalism, rock, jazz, and improvised music, to non-western musical sources from Bali, Korea and South Indian classical music (Karnatic). Her music has been performed in the US, Turkey, The Netherlands, Belgium, Korea, and Germany. In seeking new musical experiences, Ha-Yang has performed traditional and new Balinese music as a member of Gamelan Galak Tika, and has collaborated/ performed with many diverse musicians such as Evan Ziporyn, Cecil Taylor, John Zorn, Christian Wolff, Lee Hyla, Louis Andriessen, Lukas Ligeti, Larry Polansky, and Stefan Poetzsch, with whom she has presented original compositions incorporating electronics, dance, theatre, and multi-media.
Past performances include as soloist at Carnegie Hall, touring and playing at festivals in the US, Europe, Cuba and Bali, Indonesia, performing at the Bang on a Can Marathon with both her duo and the All-Stars, composing for and performing at the Kwacheon International Theatre Festival in Seoul, Korea, a solo recital at the Hochschule für Musik in Würzburg, Germany, and broadcast recordings for the Bavarian Radio Network. Upcoming performances of her music include at festivals in St. Petersburg and Moscow, Russia, Holland, Belgium and in the US. Ama, a CD of her own compositions, is released on Tzadik. Ms. Kim has also recorded for New World, Cold Blue, New Albion, Karnatic Lab and Bridge Records.
She has received prizes and awards including a grant from Meet the Composer, Trust for Mutual Understanding, the Argosy Foundation, the Ruth Schwob Foundation, and The Atlanta Symphony Orchestra. Ms. Kim has been an artist-in-residence at Princeton University, Brown University, Harvard University, Dartmouth College, Bates College, Brandeis University and at the Walden School for Young Composers. Ha-Yang studied cello, improvisation, and microtonality at the New England Conservatory of Music, Karnatic music concepts at the Conservatorium van Amsterdam, and was on the faculty at Franklin Pierce College in New Hampshire, USA. She currently lives in Brooklyn, New York.
Angie Eng, Okkyung Lee & Satoshi Takeishi
Live video artist, Angie Eng revives cinepoetry with miniature cameras, object manipulation and a light table with cellist Okkyung Lee and percussionist Satoshi Takeishi. A garden of digital improvisational delights, a cross between music for silent film, a surrealist appetizer and a magic act. Angie Eng- Live camera, video effects, object manipulaiton Angie Eng is a media artist who works in video, installation and time-based performance. In 1993 she moved to New York City and became involved in the downtown electronic arts scene with The Poool a live video performance group with Nancy Meli Walker and Benton Bainbridge in 1996-1999. She has collaborated with artists/musicians: Ron Anderson, Vincent Epplay, Yuko Fujiyama, Jon Giles, Andy Grayton, Jason Kao Hwang, Simon Hostettler, Jessica Higgins, Hoppy Kamiyama, Gabriel Latessa, Zach Layton, Jarryd Lowder, Thierry Madiot, Matthew Ostrowski, Jean Jacques Palix, Zeena Parkins, Ludovic Poulet, Liminal Projects, Kyoko Kitamura, David Linton, Geoff Matters, Ikue Mori, Karine Saporta, Jane Scarpantoni, Peter Scherer, Jim Staley, Yumiko Tanaka, Keiko Uenishi, Nancy Meli Walker , David Weinstein. Her work has been performed and exhibited at the Whitney Museum at Philip Morris, Lincoln Center Video Festival, The Kitchen, Eyebeam Art and Technology Center, New Museum of Contemporary Art, Renssalaer Polytechnic Institute, Experimental Intermedia, and Roulette. She has received numerous grants and commissions: New Museum of Radio and Performing Arts, Art In General, Lower Manhattan Cultural Council, New York State Council on the Arts, Jerome Foundation and Experimental TV Center. She recently relocated to Paris in 2008. Okkyung Lee. After being in music schools from age of 3 to 25, korean cellist/improviser/composer okkyung lee finally found her artistic freedom in new york’s lower east side where she moved in 2000. Her performances have been featured in festivals: Whitney biennial 2006, BAM Next Wave Festival, San Francisco Jazz Festival, Time Based Arts Festival, Kill Your Timid Notion Festival, International Festival Musique Actuelle Victoriaville, Sons d’Hiver Festival, Kontra.com Festival, Moers Festival, Taktlos Festival, La Biennale di Venezia and Saalfelden Jazz Festival 2008. She has performed and recorded with numerous artists such as Laurie Anderson, Lotte Anker, Derek Bailey, Kjell Bjørgeengen, Carla Bozulich, Nels Cline, Chris Corsano, Sylvie Courvoisier, Mark Dresser, Fred Frith, John Hollenbeck, Vijay Iyer, Lindha Kallerdahl, Andrew Lampert, Christian Marclay, Billy Martin, Miya Masaoka, Min Xiao-fen, Thurston Moore, Ikue Mori, Butch Morris, Larry Ochs, Jim O’rourke, Zeena Parkins, Marc Ribot, Wadada Leo Smith, Skuli Sverrisson, Spencer Yeah and John Zorn. Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito Japan. In Columbia, he combined traditional, jazz and classical music with composer Francisco Zumaque. In 1987 he produced “Morning Ride” for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the middle east where he studied and performed with Armenian-American oud master Joe Zeytoonian. In NYC since 1991, he has collaborated with: Ray Barretto, Carlos “Patato” Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander and Pablo Ziegler. He continues to explore multi-cultural, electronics and improvisational music with local musicians and composers in New York. |
VERGE Ensemble
VERGE Ensemble
an evening of electronic/computer music
Another Face for solo violin & video David Felder
Lina Bahn, violin
come into – a cello & computer improvisation Steve Antosca & Ignacio Alcover
Ignacio Alcover, cello
Steve Antosca, computer
threnody for clarinet and audio Larry Austin
David Jones, clarinet
Video IX for piano, computer and video Frederick Weck
Jenny Lin, piano
reaLive2008 (Steve Antosca)
Ignacio Alcover, cello
Steve Antosca, computer
Lina Bahn, violin
David Jones, clarinet
Jenny Lin, piano
VERGE ensemble, formerly known as the The Contemporary Music Forum, has been presenting concerts of new music to Washington audiences for 35 years. Throughout its existence, the ensemble has pioneered the performance of works involving music and technology, and supported music by American women composers, Native American composers and the music of African-American composers.
The ensemble recently performed an all John Cage concert at the National Gallery of Art as part of the Gallery’s 62nd American Music Festival in conjunction with the Gallery’s exhibit Jasper Johns: An Allegory in Painting 1955 – 1965. In May 2007, the ensemble joined Ensemble Aleph at Theatre Dunois in Paris for the Festival de musique Americaine to present four concerts of American music.
For the 2007/2008 season, VERGE worked with the Embassy of France to create a unique, year-long collaboration between French and American musicians, promoting new American and French music. A consortium of venues in Washington participated in these events including The National Gallery of Art, La Maison Francaise, the Corcoran Gallery of Art and Loyola College in Baltimore.
In November 2007, this collaboration produced a world premiere of Sanctuary, a work for percussion and computer by Roger Reynolds at the National Gallery of Art East Building and a concert of French violin and piano music at La Maison Francaise. The festival included a series of three concerts in Washington with VERGE and Ensemble Aleph in April 2008.
During the 2008/2009 season, VERGE promoted the 3-gen festival in Washington. The festival included special concerts throughout the Fall celebrating the centennial birthdays of Elliott Carter and Oliver Messiaen at the Corcoran Gallery of Art, the National Gallery of Art, La Maison Francaise and the Library of Congress.
VERGE ensemble was in residence at Cleveland State University in October 2008 and will be in residence at June in Buffalo in 2009.
VERGE ensemble is the new music ensemble in residence at the Corcoran Gallery of Art in Washington, DC.
Ai Ensemble + MIVOS Quartet
ai ensembl
Based in New York, the ai ensemble is a duo founded by clarinetist Alejandro Acierto and cellist Isabel Castellvi in Chicago 2007 to promote contemporary works for clarinet and cello. Alejandro and Isabel met while pursuing performance degrees at DePaul University and have worked together on several projects including performances with ensemble dal niente, TACTUS, Millennium Chamber Players, and Chicago Composers Forum. Since their conception, they have already had over a dozen works written for them by emerging young composers featured on programs that also included works by established composers such as Xenakis, Lim, Saariaho, and Ran. The 2007-2008 debut season featured 9 concerts in New York and Chicago in various venues, drawing a diverse crowds. This season will feature several premieres, collaborations, and touring. Currently Alejandro and Isabel are pursuing a Master’s Degree at Manhattan School of Music for Contemporary Music Performance.
Isabel Castellvi
Cellist Isabel Castellvi is currently pursuing a Master’s Degree in Contemporary Music Performance at Manhattan School of Music, studying with Fred Sherry. Isabel received her B.M. from DePaul University in 2006, where she studied with Katinka Kleijn and Steve Balderston. Previous teachers include Fred Zlotkin and Danny Morganstern. As a versatile musician she performs a broad range of music including contemporary classical, experimental, world, free-improvisation, electro-acoustic, ambient, hip-hop and rock. Collaborative creation is an integral part of her work, which has led to various projects with composers, dance, theater and visual art. Currently she is the cellist for the new music ensembles: ai ensemble, WetInk, ThingNY, dal niente, and TACTUS. She has premiered over 50 compositions. On going collaborations and recent touring include Copal, Love in the Mud; CelloVox; Stone Forest Ensemble; ai ensemble. Past ensembles and performances include The Raw and the Cooked, ICE, Oistrach Orchestra, Millennium Chamber Players, New Millenium Orchestra, Ensemble Akasha and the Accende Ensemble. She has also participated in the SLSQ Chamber Music Seminar at Stanford University, Oregon Shakespeare Festival, Symphony Orchestra Academy of the Pacific in British Columbia, Las Vegas Music Festival and performed a recital and taught in Argentina. Isabel is dedicated to performing for diverse audiences, expanding consciousness and promoting peace.
Alejandro Acierto
Alejandro Acierto is a Chicago clarinetist, composer, and activist living, working, and organizing within the community. He has completed degrees in clarinet performance and composition studies with a minor in Asian American Studies at DePaul University. Currently pursuing a degree in Contemporary Performance at the Manhattan School of Music, he studies with David Krakauer and has worked with teachers John B. Yeh, Julie DeRoche and Wagner Campos in addition to composers Kurt Westerberg, Pat Morehead, and David Smooke. As a performer, Alejandro has performed with several ensembles such as the Millenium Chamber Players, Yes is a World, Chicago Composers Forum, the improvising trio Preclear, and is also a principal and founding member of dal niente and the ai ensemble. He has also performed in such festivals and series as Opera Cabal in Chicago, New Music Northwestern and the New Music Marathon at Northwestern University, and the Midwest Consortium of Graduate Composers. An active performer of new and contemporary classical music, Alejandro has given local premieres by prominent composers such as Giacinto Scelsi, Steve Reich, and Jason Eckart, as well as world premieres by Drew Baker, Kirsten Broberg, and Nicholas DeMaison. As a composer, Alejandro received a Union League Civic and Arts Award for Composition in 2003 and the Sidney and Mary Kleinman Prize in Composition in 2007 for his work ‘strangers in our own land’. His current work focuses on using music as a means of social transformation and is committed to playing new works, particularly by historically marginalized people.
MIVOS Quartet
Olivia de Prato and Joshua Modney violins, Victor Lowrie, viola, and Isabel Castellvi, cello.
Jonathan Golove
(note….Chris McIntyre postponed due to weather related circumstances beyond our control)
jonathan golove
“Suite-ness Expanded”: Bach’s Suite No.1 in G major for cello is opened up to include works by contemporary composers from the USA, Mexico, and Italy.
Music of:
J.S. Bach
Jeffrey Stadelman
(World premier)
Andrew Rindfleisch
Luciano Berio
and Mexican composers
Mario Lavista and
Nicandro Tamez
Cellist/composer Jonathan Golove is a native of Los Angeles, California and a resident of Buffalo, New York, where he serves as Associate Professor in the University at Buffalo’s Department of Music. Mr. Golove’s career is marked by its versatility, sense of adventure, and commitment to the performance of both new and traditional works, as well as of improvised music. Mr. Golove has been featured as soloist with the Buffalo Philharmonic Orchestra, Slee Sinfonietta, New York Virtuoso Singers, and, as a baroque cellist, with the USC Early Music Ensemble. He has recorded for the Albany, CRI, ICMC, Sunken Gong, and Nine Winds labels, and his performances and interviews have been broadcast by public radio stations of Colorado, Buffalo, and Dayton, as well as the West German Radio and Radio France. His summer festival appearances include the Sebago-Long Lake and Roycroft Chamber Music Festivals, as well as numerous festivals devoted to new works, including June in Buffalo, the North American New Music Festival, the Aki Festival of New Music, and the Festival del Centro Histórico, Mexico City. A member of the critically acclaimed Baird Trio, Mr. Golove is a former member of the Elisha and June In Buffalo String Quartets, and has performed as a guest with the Cassatt Quartet and the Cleveland Octet.
Mr. Golove is also active as an electric cellist, particularly in the field of creative improvised music. He has performed and recorded with groups including the Michael Vlatkovich Quartet, Ubudis Trio, and Vinny Golia’s Large Ensemble, and made appearances at the Vancouver Jazz Festival, the Eddie Moore Jazz Festival (Oakland), and the International Meeting of Jazz Musicians (Monterrey, Mexico). He has also been honored to perform with such leading figures as Andrew Cyrille, Rashied Ali, Sonny Fortune, Ramón Lopez, and Andre Jaume. His collaborators in experimental electronic improvisation have included Cort Lippe, Barry Moon, and Misha Nogha.
Jonathan Golove’s original works have been performed in a variety of locations in the North America and Europe (USA, Canada, Mexico, France, Germany, Switzerland, Sweden, and Italy), by such ensembles as the Slee Sinfonietta, VOXNOVA, the Ensemble Court Circuit, the Bozzini String Quartet, the Amherst Saxophone Quartet, Maelstrom Percussion Ensemble, and The Instrumental Factor. Some of the important venues where his music has been heard are the Kennedy Center, Washington D.C., Venice Biennale, Festival of Aix-en-Provence, Lincoln Center Chamber Music Society II, the Kitchen, and the Sonic Circuits and June in Buffalo festivals. The 2004 season featured two world premieres of his chamber works at Carnegie (Weill) Hall. His opera (in progress) Red Harvest was commissioned by the European Academy of Music and received its premiere in Festival of Lyric Art of Aix-en-Provence in 1998. He has received commissions, awards and grants for his works from organizations including ASCAP, the Yvar Mikhashoff Trust for New Music, Meet the Composer, the Darius Milhaud Society, and the Hyde Foundation. His primary interests as a composer are the integration of music and text, the combination of electronic resources in the realm of acoustic music, and the exploration of human relationships within musical settings.
A WEEK OF STRINGS III
February 22, 2008
Alex Waterman, Kenta Nagai + todd reynolds, Satoshi Takeishi, Luke Dubois
Alex Waterman
Alex Waterman is a founding member of the Plus Minus Ensemble, based in Brussels and London, specializing in avant-garde and experimental music. Alex has worked with musicians such as Richard Barrett, Keith Rowe, Marina Rosenfeld, Anthony Coleman, Ned Rothenberg, Chris Mann, Alison Knowles, Thomas Meadowcroft, and Michael Finnissy. Alex performs with Either/Or Ensemble in New York, and has performed as guest musician with numerous ensembles, including Trio Event (Berlin), Champs d’Action-Antwerp, Q-O2-Brussels, and Black Jackets Company-Brussels. As a curator he has organized events at Les Bains:Connective in Brussels, OT301 in Amsterdam, Miguel Abreu Gallery and The Kitchen. His project with the Bach Cello Suites has toured in Switzerland, Italy, Holland, and the Opera of Monaco. In 2007 Alex curated two exhibitions in New York, one on experimental music and poetics: Agap_ (June 2-July 28th, 2007) at Miguel Abreu Gallery; and the other on graphic notation, Between Thought and Sound: Graphic Notation in Contemporary Music (September 7-October 20, 2007) at The Kitchen in Chelsea. Alex is presently working on his PhD in musicology at NYU as well as writing a book about the composer Robert Ashley with the designer and writer Will Holder. Alex’s writings have been featured in FoArm Magazine, Dot Dot Dot, and Artforum. ( www.alexwaterman.com )
Kenta Nagai
Kenta Nagai is a sound and visual artist based in New York City. He works with acoustic and electronic sound, visual media and live performance. After completing undergraduate studies at Berklee College of Music in Boston (BA, 1996) Nagai moved to New York City. He began his NY career as a fretless guitarist playing on the streets, in subway stations and at clubs. His most recent compositional work, entitled Long, Long, Long, is an ensemble piece for traditional Asian instruments. It was presented at Roulette, in NYC, in October 2006. Nagai’s fretless guitar playing is featured on Eugene Chadborne’s album “Guitar Festival Summer 1999″ with Sonic Youth members Thurston Moore, Lee Renaldo and Jim O’Rourke plus Joe Morris, Lauren Mazzacane Connors, David Watson and others. Nagai is also a featured performer on two recordings by the composer Laura Andel, “Somnambulist” (Red Toucan Records, May 2003, RT9322) and “In::tension:” (Rossbin Records, October 2005, RS022). As a performer on the shamisen, a traditional Japanese string instrument, Nagai has appeared in numerous concerts at venues including Sculpture Center in Long Island City and Carnegie Hall. From 1999 until 2002 Nagai was a composer in residence at The Cave Gallery in Williamsburg, Brooklyn. In addition to his work as a guitarist, Nagai is also involved in creating multi-media, interactive performance and installation and has collaborated with artists from various fields. These projects include a long-standing collaborative relationship with choreographer Boaz Barkan documented by filmmaker Miana Grafals in the short film “A Moving Portrait” that features the movement and sound of Barkan and Nagai. “A Moving Portrait” was presented at Dance Theatre Workshop in NYC as part of the 2005 Dance on Camera Festival. More recently, Nagai worked with the photographer Hiroshi Sugimoto on the silent film “The Water Magician” (1933, directed by Kenji Mizoguchi) composing film score and performed at Japan Society, NYC and Hershhorn Museum at Smithsonian Institute. In 2005 and 2006, Nagai performed in “Flight of Mind ” with choreographer Jennifer Monson. He continues his collaboration with Monson in 2007 through a multi-season project set in the Highland Park Reservoir in NYC.
Todd Reynolds is a long-time member of the Steve Reich Ensemble and Bang on a Can, a member of The Silk Road Project and a founding member of the string quartet known as ETHEL. A veteran of both New York and international performing arts scenes, his rock club and concert hall performances are a hybrid of acoustica and electronica, employing technology as an essential and driving element in a compositional style rooted in improvisation. The past two years since his departure from the string quartet world have seen a rise in educational focus, with six week-long residencies nationally, and two tours opening for and playing with indie-sensations, The Books. With a CD due on the Innova label later this year, he is sequestered in his studio when he’s not on tour teaching or playing. Season highlights include tours of The Zippo Songs and Meredith Monk’s Songs of Ascension, week-long performance/teaching residencies in Colorado and Indiana, Meet The Composer’s Soloist Champions project, and performances as soloist with The Albany Symphony and Theo Bleckmann.
Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was “Macumbia” with composer/arranger Francisco Zumaque in which traditional, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia, Lucho Bermudes. In 1986 he returned to the U.S. in Miami where he began work as an arranger. In 1987 he produced “Morning Ride” for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the middle east where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded with many musicians such as Ray Barretto, Carlos “Patato” Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander and Pablo Ziegler to name a few. He continues to explore multi-cultural, electronics and improvisational music with local musicians and composers in New York.
R. Luke DuBois is a composer, performer, video artist, and programmer living in New York City. He holds a doctorate in music composition from Columbia University and teaches interactive sound and video performance at Columbia’s Computer Music Center and at the Interactive Telecommunications Program at New York University. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Matthew Ritchie, Todd Reynolds, Michael Joaquin Grey, Elliott Sharp, Michael Gordon, Bang on a Can, Engine27, Harvestworks, and LEMUR, and is the director of the Princeton Laptop Orchestra for its 2007 season. He is a co-author of Jitter, a software suite developed by Cycling’74 for real-time manipulation of matrix data. His music (with or without his band, the Freight Elevator Quartet), is available on Caipirinha/Sire, Cycling’74, and Cantaloupe music, and his artwork is represented by bitforms gallery in New York City.
8pm $10
A WEEK OF STRINGS II
February 21, 2008
ha-yang kim + dan joseph
Composer/cellist Ha-Yang Kim explores naturally occurring acoustical phenomena in a set of meditative pieces for solo amplified cello with electronics. Gorgeous difference tones, beating patterns, sound transformations through extended string techniques and much more are illuminated in pieces by Kim, Lucier, and Tenney.
Ha-Yang Kim- Lens
Alvin Lucier- Indian Summer
James Tenney- Cellogram
Ha-yang Kim
Born in Seoul, Korea, Ha-Yang Kim made her professional solo debut at age 16 with the Atlanta Symphony Orchestra. A cellist, composer, and improvisor, she has developed a unique language of extended string techniques and has created her own music based on this work. Her musical influences draw equally from a range of western classical music, American experimentalism, rock, jazz and improvised music, to non-western musical sources. She is the founder of Odd Appetite, a cello-percussion duo which performs and commissions new contemporary works alongside original works and improvisations. In seeking new musical experiences, Ha-Yang has performed traditional and new Balinese music, studied Karnatic music concepts, and has worked with many diverse musicians and bands such as Evan Ziporyn, Cecil Taylor, John Zorn, Christian Wolff, Lee Hyla, The National, Louis Andriessen, Alvin Lucier, Bang on a Can All-Stars, Lukas Ligeti, Larry Polansky, and Stefan Poetzsch, in addition to collaborations in dance, theatre, film, and multi-media. Ama, a CD of her own compositions is released on Tzadik. She has also recorded for New World, Cold Blue, Beggars Banquet, New Albion, Karnatic Lab and Bridge Records. She has toured the US, Europe, Russia, Cuba, Bali , Turkey, and has appeared as a soloist at Carnegie Hall. Kim is also a frequent artist- in- residence at universities. Currently, she is composing a new program of works to be presented at Roulette later this Spring. She lives in Brooklyn, New York.
Dan Joseph
Brooklyn-based composer/performer Dan Joseph presents a new work-in-progress for solo hammer dulcimer and electronics that offers a new perspective on this ancient and largely unknown instrument. Employing state-of the-art digital processing and unconventional playing techniques, Joseph creates slowly unfolding harmonically rich sound fields that engage the heart and mind.
Dan Joseph is a free-lance composer based in New York City. He began his career as a drummer in the vibrant punk scene of his native Washington, DC. During the late 1980s, he was active in the experimental tape music underground, producing ambient-industrial works for independent labels in the U.S. and abroad. He spent the ‘90s in California where he studied at CalArts and Mills College. His principal teachers include Pauline Oliveros, Alvin Curran and Terry Riley. As an artist who embraces the musical multiplicity of our time, Dan works simultaneously in a variety of media and contexts, including instrumental chamber music, free improvisation, and various forms of electronica and sound art. Since the late 1990s, the hammer dulcimer has been the primary vehicle for his music. As a performer he is active with his own chamber ensemble, The Dan Joseph Ensemble, as well as in various improvisational collaborations and as an occasional soloist.
8pm $10
tony conrad + m.v. carbon
January 03, 2008
If Tony Conrad’s powerful sound has its roots in “minimalism”, M.V. Carbon’s music introduces a more contemporary but equally aggressive practice. Meeting as they do with violin and cello above a unifying drone, Conrad and Carbon explode the space we normally think of in connection with string quartets, waltz music, and country fiddlin’. Chaotic parameters are bent and rigorously sculpted using techniques that have been revealed through enduring experimentation. Their tangles of sounds incite a tumbling clash of traditions. The interplay of their approaches reflects the split personality of today’s listeners, who want to discover the thrill of music in a rich sonic imbroglio.
mv carbon
8 pm $10
This Saturday, March 17, St. Ann's Church will host the second installation of String Theories, the joint partnership between ISSUE Project Room and the String Orchestra of Brooklyn that provides artists with an opportunity to premiere new expe...
