Hubble + Jason Stein
Since the inception of his new solo guitar project Hubble, Ben Greenberg of Zs and Pygmy Shrews has sought to exploit the guitar for its ulterior qualities, simultaneously displaying a true love for the instrument while redefining how guitar music is understood. Whether distortion-drenched or clean, Ben describes painstaking result as “cyber-dread”, an apocalyptic, beat-less quasi-electronic music, conjuring Terry Riley’s pulsing minimalist structures and Gregg Ginn’s aggressive, avant-garde rock. The first full-length record Hubble Drums is set for release on Northern-Spy Records in November 2011 in support of which Hubble will tour extensively throughout the US and Europe.
About the Hubble live performance, Ben expounds, “Every Hubble set, on a stage or in a friend’s basement or in my bedroom, is a concerted effort on my part to change the air in the room, to push it towards a state of greater resonance.” Using mesmerizing guitar mastery to create extended rhythmic patters of note groupings of varied tempo, dissonance, and harmony, Ben hypnotizes the audience with slowly developing, subtle variation, until the listener is lulled into a highly vivid dream state. The set varies between a versatile and simple set-up and the more ambitious Hubble Superposition, a quadraphonic experience that splits the guitar signal into four different singals which are routed through four seperate amplifiers.
Ben’s first release Hubble Linger (NNA Tapes) brilliantly utilized the cassette format by distilling a live performance into two side-long pieces of stereo-panning guitar. The tape was well received inciting electronic musician Keith Fullerton Whitman to claim “…I’m fairly floored by this extended solo-trance-out from Zs guitarist Ben Greenberg, who seems to have invented a device that halts time (musical, actual, and meta-physical) ; its use is put to great effect across this 60-minute blast of cycling “stereo” chord progressions and assorted haze(s) that approaches the fervour of MBV / Belong’s filtered-out high-gain wash while retaining the minimalist patina of Charlemagne Palestine piece … awesome.”
http://northern-spy.com/artists/hubble/
Jason Stein is one of the few musicians working today to focus entirely on the bass clarinet. The Stein/Jones/Gerstein/Niggenkemper/Hertenstein Quintet will perform original pieces by Jason Stein, Darius Jones, and Ben Gerstein.
Jason Stein was born in 1976 and is originally from Long Island, New York. He studied at Bennington College with Charles Gayle and Milford Graves, and at the University of Michigan with Donald Walden and Ed Sarath. In 2005, Stein relocated to Chicago and has since recorded for such labels as Leo, Delmark, Atavistic, 482 Music and Clean Feed. Stein has performed throughout the US and Europe, including performances in festivals in Lisbon, Cracow, Utrecht, Barcelona, Debreccen and Ljubljana. He has had the opportunity to perform with a number of exciting local and international musicians including: Michael Moore, Jeff Parker, Oscar Noriega, Rudi Mahall, Ken Vandermark, Rob Mazurek, Jeb Bishop, Michiel Braam, Ingebrigt Haker-Flaten, Urs Leimgruber, Pandelis Karayorgis, Fred Lonberg-Holm, Tony Buck, Eric Boren, Kent Kessler, Tobias Delius, Nate McBride, Jack Wright, Michael Zerang, Michael Vatcher, Frank Gratkowski, Peter Brotzman, Fredrik Ljungkvist, Wilbert DeJoode, and Håvard Wiik.
“Stein is exhilarating, a young master of his fiendishly difficult horn. Stein is a player to look out for.”
- Chris May, All About Jazz
“Stein stands apart from the standard instrumental lineage. Whereas a player like Eric Dolphy or Michel Portal builds on wide intervallic leaps and verticality, Stein (like Michel Pilz, Rudi Mahall or John Tchicai) operates in a horizontal fashion, favoring a breadth of twists and turns more sideways than anything else, woven into a post-Ornette fabric.”
- Clifford Allen, All About Jazz
Ned Rothenberg + Paolo Angeli
Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 25 years in North and South America, Europe and Asia. He leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla. Recent recordings include Sync’s Harbinger, Intervals, a double-cd of solo work,Live at Roulette with Evan Parker and Are You Be, by R.U.B. (Rothenberg/Kazuhisa Uchihashi/Samm Bennett) on Rothenberg’s Animul label. Chamber music releases include Inner Diaspora and Ghost Stories, on Tzadik and Power Lines on New World, along with The Fell Clutch on Animul. Other collaborators have included Sainkho Namchylak, Paul Dresher, John Zorn, Marc Ribot and Yuji Takahashi.
paolo angeli
Paolo Angeli plays the Sardinian prepared-guitar: an orchestra-instrument with 18 strings, an hybrid between guitar, baritone, violoncello and drums, gifted with hammers, pedals, some propellers at variable speed. With this singular instrument, constructed by the craftsman Francesco Concas, Paolo elaborates, improvises and composes unclassifiable music, suspended between free jazz, folk noise and minimal pop.
On January 25, ISSUE Project Room will inaugurate its new space at 110 Livingston with Gaudeamus Muziekweek, a four-day festival celebrating groundbreaking and challenging new music by emerging composers from around the world. Working in partnership ...
ISSUE is starting off the New Year with a change of scenery. That's right, Issue Project Room is moving out of our space at the Old American Can Factory and into 110 Livingston in Downtown Brooklyn. We've had a great run at the Can Factory,...