04/07 @ 8:00pm - Marina Rosenfeld + Kusum + LoVid
Buy Tickets | Admission: $15 ($12 advance/$10 members)Marina Rosenfeld

Marina Rosenfeld’s work has been widely commissioned by museums and institutions in Europe and North America, including the Whitney Museum, Stedelijk Museum, Tate Modern, The Kitchen, and festivals including Faster Than Sound, Performa Biennial, Holland Festival, Wien Modern, Donaueschingen, Ars Electronica, and Los Angeles’ Center for Experiments in Art, Information and Technology, among many others. She has created live scores for the Merce Cunningham and Douglas Dunn dance companies and has collaborated with artists including George Lewis, Christian Marclay, Ikue Mori, DJ Olive, Anthony Coleman and many more. Rosenfeld recordings can be found on Room 40, Charhizma, Softl Music, and Innova. She’s been a member of the faculty at Bard College’s Milton Avery School of the Arts in New York since 2003, and co-chair of its graduate program in Music/Sound since 2007.

Kusum
Focusing on the voice in performance and installation, Kusum Normoyle performs with noise, intervention and the rearrangement of performance structures, utilising site specific locations and high energy physical and vocal output. Her vocal style has formed an alignment with extreme extended vocal techniques, using the microphone and amplification system as an instrument on which the performance is dependant. Pushing the threshold of violence, short in duration and coming up from behind you, Kusums performances are highly specific events that effect through volume and her clipping, broken vocal style. Residing in Sydney, her work has taken her interstate and internationally as a solo and collaborative performer and musician.
LoVid
LoVid is an interdisciplinary artist duo composed of Tali Hinkis and Kyle Lapidus. Our work includes live video installations, sculptures, digital prints, patchworks, media projects, performances, and video recordings. We combine many opposing elements in our work, contrasting hard electronics with soft patchworks, analog and digital, or handmade and machine produced objects. This multidirectional approach is also reflected in the content of our work: romantic and aggressive, wireless and wire-full. We are interested in the ways in which the human body and mind observe, process, and respond to both natural and technological environments, and in the preservation of data, signals, and memory.


On January 25, ISSUE Project Room will inaugurate its new space at 110 Livingston with Gaudeamus Muziekweek, a four-day festival celebrating groundbreaking and challenging new music by emerging composers from around the world. Working in partnership ...
ISSUE is starting off the New Year with a change of scenery. That's right, Issue Project Room is moving out of our space at the Old American Can Factory and into 110 Livingston in Downtown Brooklyn. We've had a great run at the Can Factory,...